Negotiating documentary space
dc.contributor.advisor | PerzyĆski, Bogdan, 1954- | en |
dc.contributor.committeeMember | Lewis, Randolph | en |
dc.creator | Rudin, Daniel | en |
dc.date.accessioned | 2012-08-22T14:31:02Z | en |
dc.date.accessioned | 2017-05-11T22:27:14Z | |
dc.date.available | 2012-08-22T14:31:02Z | en |
dc.date.available | 2017-05-11T22:27:14Z | |
dc.date.issued | 2012-05 | en |
dc.date.submitted | May 2012 | en |
dc.date.updated | 2012-08-22T14:31:16Z | en |
dc.description | text | en |
dc.description.abstract | This essay attempts to propose an art practice based on an ethical and aesthetic relation of author, subject, and viewer. This relationship is productive of results that are seen as critical to a precise, useful, and ethical representation of social problems. | en |
dc.description.department | Studio Art | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.slug | 2152/ETD-UT-2012-05-5803 | en |
dc.identifier.uri | http://hdl.handle.net/2152/ETD-UT-2012-05-5803 | en |
dc.language.iso | eng | en |
dc.subject | Documentary | en |
dc.subject | Montage | en |
dc.subject | Digital video | en |
dc.subject | Video art | en |
dc.subject | Fine art | en |
dc.subject | Installation art | en |
dc.subject | Authorship | en |
dc.subject | Representation | en |
dc.subject | Ethics | en |
dc.subject | Day labor | en |
dc.subject | Homelessness | en |
dc.subject | Subsistence scavenging | en |
dc.subject | Latin America | en |
dc.subject | Imperialism | en |
dc.title | Negotiating documentary space | en |
dc.type.genre | thesis | en |