Negotiating documentary space

Date

2012-05

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Abstract

This essay attempts to propose an art practice based on an ethical and aesthetic relation of author, subject, and viewer. This relationship is productive of results that are seen as critical to a precise, useful, and ethical representation of social problems.

Description

text

Keywords

Documentary, Montage, Digital video, Video art, Fine art, Installation art, Authorship, Representation, Ethics, Day labor, Homelessness, Subsistence scavenging, Latin America, Imperialism

Citation

URI

http://hdl.handle.net/2152/ETD-UT-2012-05-5803

Collections

University of Texas at Austin