Browsing by Subject "Multimodal"
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Item Examining the multilingual and multimodal resources of young Latino picturebook makers(2013-08) Zapata, Maria Angelica; Roser, Nancy; Fránquiz, María E.The purpose of this qualitative research was to better understand the multilingual and multimodal composition resources appropriated by students during a study of Latino children’s picturebooks within a predominantly Latino, third grade classroom. A conceptual framework guided by socio-cultural perspectives, a social semiotic theory of communication, and Composition 2.0 studies was employed to investigate the ways in which students remixed multilingual and multimodal composition resources and manifested identities in texts. This research was guided by both design-based and case study methods and drew upon constant-comparative, discourse, and visual discourse analytic methods to examine the data. Analysis was also located in the literature on identity and texts so as to better understand the socio-cultural histories and identities attached to the children's picturebooks. Data collection was focused on both the multilingual and multimodal resources students appropriated to compose and the ways students orchestrated those resources during the classroom picturebook study. Analysis was structured by two interrelated strands. The first strand explores more broadly the composition resources in use during the classroom picturebook study, and the second analyzes explicitly the ways two focal students remixed composition resources within their picturebook productions and sedimented identities in texts. Three findings generated from the two related strands of analysis provided insights into the potential of a picturebook study as a viable multilingual and multimodal composition curriculum. First, in the context of the teacher and researcher co-designed curriculum and instruction, students appropriated literary, illustrated, material, and picturebook form resources from Latino children’s picturebooks in diverse ways. Second, in the act of picturebook making, students invoked other socio-cultural texts as mentors and remixed composition resources from diverse sources to craft their own picturebooks. Finally, students manifested aspects of their identities within the material worlds and languages reflected within their picturebooks. Together, these findings situate picturebook study and picturebook making as creative and intellectual acts for students. Moreover, this study features Latino children’s picturebooks as culturally responsive mentor texts. Several pedagogical implications related to composition instruction for young writers and diverse population are also discussed.Item The student's experience of multimodal assignments : play, learning, and visual thinking(2012-12) Nahas, Lauren Mitchell; Faigley, Lester, 1947-; Roberts-Miller, Patricia; Syverson, Margaret; Hodgson, Justin; Pena, JorgeMuch of current pedagogical discussion of the use of multimodal assignments in the writing classroom argues that one benefit of such assignments is that they foster student engagement, innovation, and creativity while simultaneously teaching writing and argumentation concepts. Although such discussions rarely use the term “play,” play theorists consider engagement, innovation, creativity, and learning to be central characteristics and outcomes of play. Thus, what many scholars view as a major outcome of multimodal assignments might most accurately be described as playful learning. In order to investigate the validity of claims that playful learning is a product of multimodal assignments, this dissertation reports on the results of a comparative case study of four different classrooms that used multimodal assignments. The objective of the study was to better understand the students’ experience of these assignments because the students’ perspective is only represented anecdotally in the literature. The study’s research questions asked: Do students find these assignments to be playful, creative, or engaging experiences? Do they view these assignments as related to and supportive of the more traditional goals of the course? And what role does the visual nature of these technologies have in the student’s experience of using them or in their pedagogical effectiveness? Each case was composed of a different writing course, a different assignment, and a different multimodal computer technology. The results of the study show that students generally did find these assignments both enjoyable and useful in terms of the learning goals of the course. Many students even went so far as to describe them as fun, indicating that for some students these were playful experiences in the traditional sense. However, comparison of the results of each case illustrates that the simple injection of a multimodal assignment into the classroom will not necessarily create a playful learning experience for students. The students’ experience is a complex phenomenon that is impacted by the structure of the assignment, whether or not they are provided a space for exploration and experimentation, their attitude towards the technology, and the characteristics of the technology.Item Welcoming audiences with visual impairments to the art museum : a study of the Meadows Museum of Art’s INsights and OUTlooks program(2013-08) Salinas, Leticia Isabel; Mayer, Melinda M.This qualitative case study focuses on the efforts of the education staff at the Meadows Museum of Art as they planned and implemented INsights and OUTlooks – an inclusive educational program, meaning that it was designed for sighted and non-sighted visitors. Although this is an inclusive program, the study concentrates mostly on how it was designed to make art accessible to visitors with visual impairments. The researcher interviewed the staff in charge of leading the program, observed two program sessions, and attended staff meetings related to INsights and OUTlooks to gain a better understanding of how it functions. Current literature (Andrus, 1999; McGinnis, 2007) within the field of art education suggests that staff at art museums should adopt inclusive practices as they design programs and exhibitions. This study explores the process of creating such a program, the tools and approaches utilized to make art accessible to visitors with visual impairments, and the benefits of being inclusive. Research studies such as this one add to the existing but limited literature regarding inclusive programming in art museums.