The Magical Sublime: A New-old Lens On Magical Realism

dc.contributorSasser, Kim Danielleen_US
dc.date.accessioned2007-08-23T01:56:55Z
dc.date.accessioned2011-08-24T21:40:46Z
dc.date.available2007-08-23T01:56:55Z
dc.date.available2011-08-24T21:40:46Z
dc.date.issued2007-08-23T01:56:55Z
dc.date.submittedDecember 2006en_US
dc.description.abstractWhile magical realist critics often refer to magical realism's generic heritage of primitive cultures and indigenous mythology, Franz Roh's magischer realismus, and Surrealism, I will point to the sublime as a less recognized lineage, yet one which offers equally fruitful insights. Magical realism employs many elements of the sublime, such as astonishment and the alternation between the two phases of pain and pleasure, but perhaps most valuable in this comparative analysis is the sublime's offering new perspectives which illuminate how magical realism's most distinguishing characteristic, the magic, functions. Relying mostly on the theories of Longinus, Burke, and Kant, as well as various contemporary eco-theorists, in this analysis I demonstrate how magical realism shares the characteristics of several different historical and contemporary usages of the sublime while conflating ontological binaries, dramatizing historical horrors, engaging with issues of nationhood, and embodying the debate about sublime place.en_US
dc.identifier.urihttp://hdl.handle.net/10106/534
dc.language.isoENen_US
dc.publisherEnglishen_US
dc.titleThe Magical Sublime: A New-old Lens On Magical Realismen_US
dc.typeM.A.en_US

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