1,000 miles : bridging the distance between Austin and Chicago
dc.contributor.advisor | Dietz, Steven | |
dc.contributor.advisor | Lynn, Kirk | |
dc.contributor.advisor | Zeder, Suzan | |
dc.creator | Hinderaker, Andrew Dean | en |
dc.date.accessioned | 2013-12-19T19:22:39Z | en |
dc.date.accessioned | 2017-05-11T22:40:53Z | |
dc.date.available | 2017-05-11T22:40:53Z | |
dc.date.issued | 2013-05 | en |
dc.date.submitted | May 2013 | en |
dc.date.updated | 2013-12-19T19:22:39Z | en |
dc.description | text | en |
dc.description.abstract | 1,000 miles marks the culmination of my course of study at the University of Texas. As an MFA student in the playwriting program, I have juggled my responsibilities to the department with my role as a professional playwright, frequently splitting time between Austin and my hometown of Chicago, where I opened four world premieres from 2010-2012. In this thesis, I discuss the ways in which my work has been influenced by the aesthetics of both artistic communities. I focus on two of my plays in particular: Kingsville, which premiered in Chicago during my first semester at UT, and Colossal, which opened in Austin just weeks before graduation. Through the lens of these two plays, I outline my artistic evolution over the past three years, highlighting the ways in which my work has drawn from the very best of Chicago’s storefront theaters and Austin’s experimental scene. | en |
dc.description.department | Theatre and Dance | en |
dc.format.mimetype | application/pdf | en |
dc.identifier.uri | http://hdl.handle.net/2152/22797 | en |
dc.language.iso | en_US | en |
dc.subject | Hinderaker | en |
dc.subject | Playwright | en |
dc.subject | Chicago | en |
dc.subject | Austin | en |
dc.subject | Kingsville | en |
dc.subject | Colossal | en |
dc.title | 1,000 miles : bridging the distance between Austin and Chicago | en |