A playwright's process through sound and script

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dc.contributor.advisorDietz, Stevenen
dc.contributor.committeeMemberZeder, Suzanen
dc.contributor.committeeMemberLynn, Kirken
dc.creatorHoran, Tom Henningen
dc.date.accessioned2012-06-28T15:21:14Zen
dc.date.accessioned2017-05-11T22:25:30Z
dc.date.available2012-06-28T15:21:14Zen
dc.date.available2017-05-11T22:25:30Z
dc.date.issued2012-05en
dc.date.submittedMay 2012en
dc.date.updated2012-06-28T15:21:22Zen
dc.descriptiontexten
dc.description.abstractTwo works, Static and The Fictional Life of Historical Oddities represent the dichotomy and symbiosis of two different models of playwriting I have pursued while at the University of Texas. This thesis reflects back on the processes that lead to these plays through periods of generation, revision and refinement. I've sought to find not only distinctions but areas of overlap.en
dc.format.mimetypeapplication/pdfen
dc.identifier.slug2152/ETD-UT-2012-05-5517en
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2012-05-5517en
dc.language.isoengen
dc.subjectTheateren
dc.subjectDeviseden
dc.subjectCollaborativeen
dc.subjectPlaywritingen
dc.subjectSound designen
dc.titleA playwright's process through sound and scripten
dc.title.alternativeTheatre and Danceen
dc.type.genrethesisen

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