Doctoral thesis recital (lecture recital)
| dc.contributor.advisor | Not available | en |
| dc.creator | Ahlman, Christopher Stephen | en |
| dc.date.accessioned | 2012-06-15T22:12:36Z | en |
| dc.date.accessioned | 2017-05-11T22:25:20Z | |
| dc.date.available | 2012-06-15T22:12:36Z | en |
| dc.date.available | 2017-05-11T22:25:20Z | |
| dc.date.issued | 2011-03-23 | en |
| dc.description | text | en |
| dc.description.abstract | The compositional nature and performance practice of the grave of Johann Sebastion Bach's Toccata in C, BWV 564 -- Concerto IV, concerto a cinque, op. 2, no. 8 / T. Albinoni -- Praeludium in A, BuxWV 151 -- Toccata in C, BWV 564 / J. S. Bach. | en |
| dc.description.department | Music | en |
| dc.format.medium | electronic | en |
| dc.identifier.uri | http://hdl.handle.net/2152/16017 | en |
| dc.rights | Copyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works. | en |
| dc.subject | Organ music | en |
| dc.title | Doctoral thesis recital (lecture recital) | en |