Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini

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dc.contributor.advisorDell'Antonio, Andrewen
dc.contributor.advisorGratovich, Eugeneen
dc.creatorKwon, Yongsunen
dc.date.accessioned2008-08-28T23:16:31Zen
dc.date.accessioned2017-05-11T22:17:35Z
dc.date.available2008-08-28T23:16:31Zen
dc.date.available2017-05-11T22:17:35Z
dc.date.issued2006en
dc.descriptiontexten
dc.description.abstractThe genre of the variation has been developed a great deal since the first one was published in the sixteenth century. Because a variation’s theme is not typically long, and because it is repeated in different guises many times, it is most important for the composer to create as rich as possible a work by fully exploiting a passage’s potential for rhythmic and melodic variation, as well as the capabilities of the instrument for which it is written. The variation process and form became important in European music in the seventeenth and eighteenth centuries, especially in the violin repertory, with the greatly improved quality of violin-making at that time. In Italy, composers who were also violinists wrote many variations for strings from the later seventeenth to the eighteenth century. Arcangelo Corelli’s pieces are representative of variation sets, and his pupils, Pietro Antonio Locatelli and Giuseppe Tartini, also composed variations. This treatise compares variations by these seventeenth and early eighteenth century composers. In comparing these examples, the character of each composer’s style of variation can be analyzed and discussed. This treatise also focuses on the technical challenges of the violin variation of Corelli’s La Folia, Locatelli’s Op.6 and 8, and Tartini’s Op.1 and 5.
dc.description.departmentMusicen
dc.format.mediumelectronicen
dc.identifierb68637494en
dc.identifier.oclc166254111en
dc.identifier.urihttp://hdl.handle.net/2152/2922en
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subject.lcshVariations--History and criticismen
dc.subject.lcshCorelli, Arcangelo,--1653-1713--Sonatas,--violin, continuo,--op. 5--No. 12en
dc.subject.lcshLocatelli, Pietro Antonio,--1695-1764--Sonatas,--violin, continuo--Selectionsen
dc.subject.lcshTartini, Giuseppe,--1692-1770--Sonatas,--violin, continuo--Selectionsen
dc.titleStructure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartinien
dc.type.genreThesisen

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