A graphic analysis of Brahms, Opus 118, with an introduction to Schenkerian theory and the reduction process
dc.creator | Lamb, James Boyd | |
dc.date.accessioned | 2016-11-14T23:14:49Z | |
dc.date.available | 2011-02-18T20:00:39Z | |
dc.date.available | 2016-11-14T23:14:49Z | |
dc.date.issued | 1979-12 | |
dc.degree.department | Fine Arts | en_US |
dc.description.abstract | Not available | |
dc.format.mimetype | application/pdf | |
dc.identifier.uri | http://hdl.handle.net/2346/12637 | en_US |
dc.language.iso | eng | |
dc.publisher | Texas Tech University | en_US |
dc.rights.availability | Unrestricted. | |
dc.subject | Schenker Heinrich -- 1868-1935 | en_US |
dc.subject | Musical analysis | en_US |
dc.subject | Music appreciation | en_US |
dc.subject | Brahms Johannes -- 1833-1897. Tonality | en_US |
dc.title | A graphic analysis of Brahms, Opus 118, with an introduction to Schenkerian theory and the reduction process | |
dc.type | Dissertation |