Postmodernity and the zombie apocalypse : a comparative analysis of Max Brooks' World war z and Colson Whitehead's Zone one
| dc.contributor.advisor | Hutchison, Coleman, 1977- | |
| dc.creator | O'Neill, Sara Pevehouse | en |
| dc.date.accessioned | 2013-12-17T22:06:00Z | en |
| dc.date.accessioned | 2017-05-11T22:40:38Z | |
| dc.date.available | 2017-05-11T22:40:38Z | |
| dc.date.issued | 2013-05 | en |
| dc.date.submitted | May 2013 | en |
| dc.date.updated | 2013-12-17T22:06:00Z | en |
| dc.description | text | en |
| dc.description.abstract | This report offers analysis of two contemporary zombie apocalypse novels that imagine the future for the United States. By considering how Max Brooks’ World War Z and Colson Whitehead’s Zone One participate in critical conversations regarding postmodernity, this report reveals that these authors use the zombie apocalypse narrative to express concerns about social and cultural pathologies, as well as possibilities for utopian reform in the twenty-first century. By imagining the zombie horde as the radical other, the novels engage in discussions regarding racial and class inequalities in contemporary America. Ultimately, my analysis of these two texts reveals a disturbing tendency to imagine the zombie apocalypse as the solution to America’s persistent social and political dilemmas. | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.uri | http://hdl.handle.net/2152/22738 | en |
| dc.language.iso | en_US | en |
| dc.subject | Zombie | en |
| dc.subject | Postmodernism | en |
| dc.subject | Contemporary fiction | en |
| dc.title | Postmodernity and the zombie apocalypse : a comparative analysis of Max Brooks' World war z and Colson Whitehead's Zone one | en |