Browsing by Subject "pedagogy"
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Item The house that Jill built : a review of feminist approaches to teaching argument in the composition classroom(2009-08) Ludlow, Marcee Monroe; Roberts-Miller, Patricia, 1959-; Ferreira-Buckley, LindaCongruent with the second wave of feminism and continuing into the 1990s, a group of feminist compositionists felt that argument should not have a major, if any, place in the feminist classroom and began to redefine, revision, and reposition argument. With a rhetorician’s bias, this report looks at one articulation of why they turned away from argument—Sally Miller Gearhart’s claim that “any intent to persuade is an act of violence”—, what they turned to, some critique surrounding their approaches and theories, and how a broader understanding of rhetoric and the role of agonism in rhetoric and education can add depth to the feminist approach.Item Rural Drag: Settler Colonialism and the Queer Rhetorics of Rurality(2013-07-16) Nichols, Garrett WedekindIn the United States, rural culture is frequently thought of as traditional and ?authentically? American. This belief stems from settler colonial histories in which Native lands are stolen and ?settled? by white colonial communities. Through this process, the rugged ?frontier? becomes a symbol of American identity, and rural communities become the home of ?real? Americans. Because settler colonization is invested in maintaining systems of white supremacy, sexism, and heteropatriarchy, these ?real? Americans are figured as normatively white and straight. This dissertation analyzes the rhetorical construction of rurality in the United States, specifically focusing on the ways in which settler colonial histories shape national discussions of rural sexuality. I theorize a rhetorical practice I call rural drag, a process by which individuals in settler society can assert membership in white heteropatriarchy by performing ?rurality.? I trace the development of this rhetorical practice through three case studies. In the first, I analyze 19th-century Texan legislative writings during the creation of Texas A&M University. These writings and related correspondences reveal a baseline of white supremacist and settler colonial rhetorics upon which the university established its ethos. In the second, I look at how these rhetorics continue to inform performances of sexuality and gender at Texas A&M. These performances derive from earlier rhetorical practices designed to create a space for white settler privilege. Together, these two case studies suggest that rhetorical practices shape and are shaped by the spaces in which they are practiced and the rhetorical histories of these spaces. In my final case study, I interrogate national discourses of rurality through an analysis of country western music to show how rhetorics of rurality are simultaneously local and national. I conclude by challenging scholars of rhetoric and queer studies to recognize that the relationship between rhetoric and place is key to recognizing our relationship to privilege and oppression in the United States. To further this, I propose a decolonial queerscape pedagogy that accounts for the multiple overlays of sexual identities and practices that travel through the academy while challenging the colonial histories and actions upon which the academy is built.Item The Rhetoric Of Writing: A Rhetorical Analysis of Modern Writing Memoirs(2010-01-14) Illich, Lindsay P.This dissertation analyzes concepts of the writing self in works about writing by professional creative writers (writers, poets, and essayists). Through a rhetorical analysis of these texts, I observe that writers view the writing self as a complex structure that is fully conscious as a rhetorical agent, an embodied self that interacts with the world and actively chooses linguistic representations of that experience, and maintains a concept of self that is subject to influences which the writers do not fully understand (such as inspiration and insight). The discourse used by writers to describe their writing processes challenges recent critiques of expressionism and the model of social construction that pervades contemporary composition scholarship. Chapter II examines Virginia Woolf's use of the central metaphor for invention in A Room of One's Own, a river, which sharply calls into question a unified view of the self which is central to critiques of expressivism by composition scholars. Woolf's concept of invention requires a negation of the self and harmony with nature (widely conceived as the entire world, including texts). Chapter III, an analysis of two writing memoirs by contemporary professional creative writers, Annie Dillard's The Writing Life and Donald Hall's Life Work, finds that Dillard and Hall use metaphors that establish freedom (rhetorical agency) and bodily presence as primary characteristics of their writing processes. Chapter IV, an analysis of two collections of essays about writing by professional creative writers, argues that the writers' use of metaphors of inspiration and instrumental metaphors creates a concept of the writing self that maintains a sense of writerly control (rhetorical agency) alternating with a sense of a diminished control; ultimately, the two concepts coexist in the minds of the writers. Chapter V proposes that the rhetorical situation of the contemporary composition classroom affects students' creativity adversely. The chapter also suggests further analyses of writing memoirs can provide new ways of understanding writing processes (as opposed to one writing process model) and therefore contribute substantially to composition scholarship and pedagogy.Item The TAMU Water Project: Critical Environmental Justice as Pedagogy(2010-10-12) Munoz, Marissa IselaThe TAMU Water Project is a trans-disciplinary collaborative that works to address the water needs of rural communities along the Texas/Mexico border called colonias. Modeled initially after the work of Potters for Peace, the TAMU Water Project recognizes access to potable water as a human right and is dedicated to the production, distribution, and research of affordable, appropriate technology to purify water. This thesis proposes critical environmental justice as the theoretical framework and lens through which to examine the TAMU Water Project as a praxis of public pedagogy. Extant data in the form of articles, publications, presentations, photo essays, and video, were analyzed using an inductive process of content analysis and thick description to prove that the TAMU Water Project fulfills the criteria of critical environmental justice and can be used as an example of critical environmental justice as pedagogy.