Browsing by Subject "Stand-up comedy"
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Item Chicks aren't funny : an ethnography of female stand-up comedians(2010-05) Grimes, Andrea Bradley; Stewart, Kathleen, 1953-; Campbell, Craig; Hartigan, JohnFemale stand-up comics occupy a permanently liminal space which can be broken down into three small areas, characterized thusly: the interpersonal, the sexual and the professional spheres. Issues of power, footing and the carnivalesque are threaded throughout these three spaces, and I use the work of Michel Foucault, Mikhail Bakhtin and Erving Goffman to examine the ways in which the female comics I talked, lived and performed with over a two-year period negotiate this permanent liminality to both their advantage and their detriment. The three liminal spaces overlap and intersect, with female comics occupying at times two, and sometimes all three, at any given moment, in a constantly forming and re-forming state of “otherness” that separates them from the default male comic body. In locating female comedians in a permanent liminality, I illustrate the structures at play that are demonstrative not only of the comic experience, but of larger issues surrounding gender in contemporary society.Item Humor Alert: Muslim and Arab Stand-Up Comedy in Post-9/11 United States(2012-07-16) Micu, AndreeaAfter 9/11, American stand-up comedy includes an increasing presence of Arab and Muslim comedians whose humor engages some of the recurring Islamophobic stereotypes circulating in the United States. These comedians combine self-deprecating humor and critique of American society. In doing so, they continue a rich tradition of American ethnic comedy, first used by other minorities to negotiate positive recognition of their ethnicities in American society. Although Arab and Muslim American stand-up comedy continues to grow, there is little academic analysis of it. My research attempts to fill this gap. I examine two video-recorded comedy tours, Allah Made Me Funny and The Axis of Evil, and draw on my experiences as participant observer at the 8th annual edition of the New York Arab American Comedy Festival. In my examination, I explore Arab and Muslim American stand-up comedy after 9/11 as a set of performances that challenge Islamophobic political discourses and contest stereotypical representations of Arabs and Muslims circulating in the media and popular culture. I begin this thesis with a discussion that defines Islamophobia after 9/11 as a pervasive ideological formation and explores the relationship between Islamophobia and stereotypical representations of Arabs and Muslims in the media and popular culture. Second, I identify political activism, personal narrative, as well as both artistic and historical opportunism as complex and interrelated dimensions of this stand-up comedy. Third, I examine how Arab and Muslim American comedians use humor to navigate the poles of their hyphenated identities and negotiate their belonging in American society. Finally, I examine the ways in which stand-up comedy reverses the discourses and representations of Islamophobia by drawing on Mikhail Bakhtin's theory of the carnivalesque.