Browsing by Subject "Occupy Wall Street"
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Item Hegemony now! : an examination of the Tea Party's hegemonic project(2011-12) Daniels, Jonathan Ashley; Kumar, Shanti; Mallapragada, MadhaviThe Tea Party’s influence in the recent 2010 elections suggests that the group is making an impact within American politics. This project seeks to identify the cultural forces at work and ground them within Antonio Gramsci’s framework of hegemony. Taking a cue from Michael Bérubé’s recent book The Left at War, I perform a close analysis of the Tea Party’s project for hegemony. I focus on the media discourses of the Tea Party movement, performing a close reading of two key Tea Party websites and unpacking two important televised moments relating to the Tea Party’s rise as a grassroots movement. I argue that the Tea Party uses the practice of articulation to persuade the American public that Tea Party members are the rightful heirs to the project of “America” that the Founding Fathers began centuries ago by using the theories of Bérubé, Stuart Hall, Ernesto Laclau and Chantal Mouffe as reference points. Finally, I use my analysis of the Tea Party’s articulatory practices to begin exploring a way forward for the American Left, building on the groundbreaking cultural work of Bérubé, Hall, and Laclau and Mouffe.Item Somewhere between here and there : Sharon Hayes and Catherine Opie, picturing protest(2013-05) Rubin, Caitlin Julia; Smith, Cherise, 1969-Both Sharon Hayes’s "In the Near Future" (2005-2009) and Catherine Opie’s photographs of assemblies and rallies (2007—) take protest as a topic of investigation. Hayes enacts solo protests in urban centers and documents her project’s iterations; Opie attends organized marches and demonstrations and photographs the gathered crowds. Yet while both projects perform or picture protest in the present-day, neither is wholly of this moment. In her staged actions, Hayes holds the signs and slogans of earlier social movements, and both she and Opie create and consider the images they capture in relation to experiences and visual records which predate them. This thesis considers the ways in which expectations and desires for present and future moments are rooted in understandings of social or political pasts, investigating the work of Hayes and Opie alongside the events of Occupy Wall Street and the histories of the movements these artists reference: ACT UP (AIDS Coalition to Unleash Power), Queer Nation, and the Memphis Sanitation Strike of 1968. Focusing on the role of the documentary image in the creation and remembrance of historical events, the paper looks at how the longing to reinhabit a pictured past becomes incorporated within a desire to feel historical, and how fantasies of the past and future are absorbed into the charged space of present. Concentrating first on this temporal rearrangement (referred to by Hayes as an “unspooling of history”) and turning next to the reengagement and embodiment of symbolic imagery, this thesis explores how works by Hayes and Opie emphasize disappointment in the present scene while simultaneously endeavoring to establish alternative spaces of social and political possibility—both new sites and reimagined worlds of belonging.