Browsing by Subject "Musicians"
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Item Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses(2011-05) Gloria, Marie Joan Tanedo; Stein, Laura Lynn, 1965-; Tyler, KathleenThis paper proposes an examination of Creative Commons (CC) licensing and considerations for adoption or non adoption among musicians. According to the Creative Commons Web site, the licenses were created to work alongside current copyright law allowing rights holders a “some rights reserved” copyright (“What is CC?”, Creative Commons, 2010). However, despite its current uptick in adoption, many remain hesitant and refuse to adopt the licenses to protect their work. Moreover, for those who have adopted the licenses, little is known about why they chose to adopt the licenses. Thus, the study answers the need for further research in understanding why musicians choose to use or not to use CC licenses. The study attempts to answer the following question: What considerations determine whether musicians adopt CC licenses for their work? In the pages that follow, I survey the historic and current position of copyright law. Specifically, the paper begins by problematizing current copyright law by demonstrating its economic and social inefficiencies in light of new advancements in technology. In other words, current copyright favors incumbent cultural industries who demand increased economic incentives at the expense of the public’s right to access these works. Moreover, it favors existing content holders who insist on creating laws that retain maximum control over their property. It then questions whether Creative Commons licenses can successfully reconcile these inefficiencies. Moreover, the overarching goal of this research is to examine the perceived viability of these licenses and to consider whether current advocacy efforts adequately address concerns of potential adopters. It analyze information gathered from multiple in-depth interviews of musicians who have and have not adopted the licenses. It will also examine advocacy efforts. The study hopes to contribute qualitative data that will shape future discussions on copyright, culture and new technologies by considering adequacies and or inadequacies of current licenses & advocacy efforts.Item Health benefits and support for Austin musicians(2009-12) Kalan, Harsh; Burd, Gene; Brenner, R B.There is plenty of support for local musicians in Austin. It ranges from providing health benefits to receiving home loans to equipment insurance. The live music capital of the world has provisions for recording artists as well as street performers whose primary source of income is music. These facilities go a long way in maintaining Austin‟s identity as one of the major music cities in the world. They also bring together members of this community for benefits that help strengthen the local music industry, which has been an important part of the city‟s economy for several years.Item Moroccan modern : race, aesthetics, and identity in a global culture market(2009-08) Rode Schaefer, John Philip; Kapchan, Deborah A. (Deborah Anne); Ali, Kamran Asdar, 1961-This dissertation asks how conceptions of race have informed popular cultural expressions in post-independence Morocco. Further, how have these expressions helped shape Moroccan modernity? What does an analysis of the history of the Gnawa in Morocco tell us about changes in Moroccan society, including the religious landscape, and the relation of these changes to globalization? This dissertation tracks the often contradictory paths that modernity has taken in Morocco through a focus on one racialized subculture, the Gnawa, ritual musicians originally from sub-Saharan Africa who have lived in Morocco for centuries without losing a certain African identity. The first part of the dissertation assesses Blackness in Morocco, considering Moroccan history in light of its relations across the Sahara desert. I examine cultural patterns of the Niger River region to which the Gnawa trace their origins, as well as crucial elements in the Moroccan past that involve racial formation. The second part of the dissertation considers how newcomers come to take on these new spiritual and musical identities, whether through a kind of musical transposition or an economic conversion. I argue that mass media have been central in Gnawa conversion narratives in the past, while more recent Gnawa identities have revolved around the consumption of commodities. The third section details my own conversion through a series of engagements with the Essaouira Festival of world music and Gnawa music in Morocco. I attended the festival as an informed tourist and also behind the scenes as an interested participant, and I found that the festival serves multiple purposes in Morocco's cultural economy. I conclude that Morocco's aesthetic history is deeply influenced by conceptions of race. These conceptions have in turn influenced commercial media expressions of post-independence Moroccan identities. Finally, since the opening of Moroccan society in the 1990s, the clearest expression of the future of Moroccan expressive and popular culture has been the rise of music festivals.Item Procedural memory consolidation in musicians(2007-08) Allen, Sarah Elizabeth, 1977-; Duke, Robert A.Procedural memory consolidation has been shown to enhance a variety of perceptual and motor skills during sleep. Only recently has this effect been investigated in trained musicians performing music. I tested the extent to which a music performance skill benefited from sleep-based consolidation overnight and whether this process may be inhibited when musicians learn two melodies in juxtaposition. 60 experienced musicians, all nonpianists, learned to perform either one or two 13-note piano melodies during evening training sessions. The musicians practiced each melody with their nondominant hand by repeating it from beginning to end during 12 30-second practice blocks alternating with 30-second rest intervals. All participants were retested on the target melody the following morning in three 30-second retest blocks alternating with 30-second rest intervals. Participants who learned only one melody in the evening showed overnight gains in the number of correct key presses per block (CKP/B) in the target melody at retest. Participants who learned the target melody and an additional melody at training showed no overnight gains in CKP/B in the target melody. Participants who learned both melodies and then immediately were retested on the target melody at training showed overnight gains in CKP/B in the morning retest of the target melody--gains similar to those observed among the participants who learned only the target melody at training; this group showed no decrement in the performance of the target melody in the retest at the end of training, which indicates that there were no immediate interference effects apparent in the target melody after having learned the second melody. These results show that experienced learners performing a familiar type of task, and one that includes auditory processing demands, benefit from overnight consolidation of procedural memories. These benefits may be inhibited, however, when musicians learn similar, competing tasks in juxtaposition.Item The effect of a pitch matching task on the vertex EEG of trained musicians(Texas Tech University, 1982-12) Rhodes, Hugh HarvleyNot available