Browsing by Subject "Medieval"
Now showing 1 - 16 of 16
Results Per Page
Sort Options
Item A player's introductory guide to the medieval vielle(2012-08) Green, Angela; Smith, Angela M.; Smith, Christopher; Martens, PeterThe vielle, or medieval fiddle, was one of the most popular instruments across Europe from about 1150 to 1450. The transmission of instrumental techniques and processes of modern historical performance practice has been transmitted primarily through face to face master-student interactions. This document is a manual for the player of bowed-string instruments to learn the introductory practices and processes in the modern performance of medieval music. Although applicable to almost any medieval bowed-string instrument, the ideas and exercises in this manual are aimed specifically toward the medieval fiddle, also called the vielle. Working through the exercises pertaining to areas of performance practice, such as song accompaniment, dance music, and instrumental arrangements of vocal works, over the course of this manual, the player should be able to learn new and different playing techniques on the instrument itself, attune the ear to new theoretical organization of melody, and embrace ideas for experimentation within the performance. After working through the document, it is expected that the player will be able to draw upon and expand any technique and process for his or her own personal artistic preferences for instrumental arrangement and presentation. Prior experience trained in classical performance in shoulder position is optimal for this manual, but this method presumes a player with little familiarity with the repertoire, with basic competency on bowed strings, some facility with rudiments of phrasing and bow position.Item Cultural capital : production and reproduction in Emaré(2012-08) Bristol, Abigail R.; Scala, Elizabeth, 1966-; Lesser, WayneUsing the central romance narrative object in the Breton Lay Emaré, the anonymous poet creates a conversation highlighting the importance of class structure, religious difference, chivalric duty, the generic traditions of romance, imperial wealth, desire, and power within the narrative. The protagonist, Emaré, serves as the focus for a version of the traditional calumniated wife narrative, with few distinctions, the most intriguing of which is the focus on the particular textile that identifies her. This paper investigates how the textile and Emaré herself demonstrate the importance of production and reproduction—the fruits of both kinds of labor enabling her son to inherit two empires and their associated capitalist wealth, a social value that the likely middle class audience would have admired. This combined both the traditional dynastic focus of romance narratives with a capitalist, mercantile one, suggesting a move away from a chivalric, martial culture to one based around economic production.Item Cultures of conquest : romancing the East in medieval England and France(2009-08) Wilcox, Rebecca Anne; Heng, Geraldine; Birkholz, Daniel, 1967-Cultures of Conquest argues for the recognition of a significant and vital subcategory of medieval romance that treats the crusades as one of its primary interests, beginning at the time of the First Crusade and extending through the end of the Middle Ages. Many romances, even those not explicitly located in crusades settings, evoke and transform crusades events and figures to serve the purposes of the readers, commissioners, and authors of these texts. The prevalence of crusade images and themes in romance testifies to medieval Europe's intense preoccupation with the East in its multiple manifestations, both Christian and Muslim. The introductory chapter situates the Song of Roland (c. 1100) as a hybrid epicromance text that has long set the standard for modern thinking about medieval European attitudes toward the East. The following chapters, however, complicate the Song of Roland's black-and-white portrayal of Muslims as "wrong" and Christians as "right." Chapter Two, focusing on the Middle English romances Guy of Warwick and Sir Beues of Hamtoun, demonstrates the extreme "othering" of Muslims that occurred in medieval romance; but it also acknowledges the antagonism of other Christians (whether Eastern or European) in these texts. In Chapter Three, on romances with Saracen heroes (Floire et Blancheflor, the Sowdone of Babylone, and Saladin), I show how these texts reimagine the East as a desirable ally and even incorporate Saracens into European genealogies, seeking a more conciliatory relationship between East and West than is provided by the romances discussed in the previous chapter. My fourth chapter shows how gender mediates cultural contact in Melusine and La Fille du Comte de Ponthieu: women, as the cornerstones of important crusading families, were invested in crusading and were imagined as key to the success of the crusades. The epilogue offers a brief reading of Chaucer's Canterbury Tales (emphasizing the "Squire's Tale" and the "Man of Law's Tale") within a long and varied tradition of medieval crusade romance. I argue that Chaucer works to replace a literary climate that idealizes violent conflict between East and West with one that imagines the possibility and desirability of commercial relationships with the East in England's future.Item Embodied cognition, Latin pedagogy, and the rhetorical foundations of medieval vernacular poetry(2015-05) Garbacz, Robert Scott; Woods, Marjorie Curry, 1947-; Birkholz, Daniel, 1967-; Wojciehowski, Hannah C; Johnson, Michael A; Walker, JeffreyThis dissertation uses the insights of recent cognitive science to illuminate narrative and rhetorical strategies in the Eclogue of Theodolus, a Latin debate poem, and its French and English literary descendants. The Eclogue was wildly popular in classrooms throughout the Middle Ages and modeled for students ways to respond to stories with counter-stories, demonstrating rhetorical virtuosity by transforming images, words, and ideas. In doing so, it prepared the way for vernacular literary production. Chapters 1 and 2 focus on the ways the Eclogue’s narrative rhetoric, and particularly its imagery, was processedby medieval students using mental capacities recently revealed by modern cognitive linguistics and neuroscience. In the Eclogue, a character representing Christian truth triumphs over one representing pagan falsehood precisely through her ability to transform the cognitive and affective effects of the work’s visual and spatial rhetoric. Yet if the Eclogue emphasizes Christian superiority, the early French Roman d’Enéas deploys a similar specular rhetoric for a less respectable purpose. Lush descriptions of funeral monuments lure the reader away from what is otherwise the text’s central concern: legitimizing the French political order. These chapters show both the sophistication of medieval imagery and the discourses deployed to limit its power. Chapters 3 and 4 consider medieval theories of cognition. Chapter 3 focuses on the Owl and the Nightingale, a debate poem generally considered the first great work of Middle English literature. This poem undercuts the Eclogue’s lofty rhetoric by presenting myopic protagonists whose avian nature (in keeping with Neo-Aristotelian theory) is most clearly shown in their stubborn emphasis on their desires to live and kill. Similarly earthbound in its orientation is Chaucer’s House of Fame. This work, which begins with a survey of scholastic cognitive science and which offers a climactic ekphrasis in which the Eclogue takes a prominent place, offers both a deeply skeptical account of the ability of embodied humans to know the truth and a tour de force of medieval narrative rhetoric. Taken together, these discussions offer a survey of the power of medieval images on medieval brains and unearth a significant force in medieval intellectual culture.Item The foundational rape tale in Medieval Iberia(2009-12) Castellanos, María Rebeca; Bailey, Matthew; Harney, Michael, 1948-; Nicolopulos, James; Sutherland-Meier, Madeline; Ebbeler, JenniferThe present study examines the rape episodes in Muslim and Christian historiography of the Iberian Peninsula between 9th and 13th century. These episodes possess a structure which the author defines as “rape tale.” The rape tale has a stock cast of characters—a rapist ruler, the female rape victim, and her avenging guardian, and a predictable ending: the ruler will be deposed. In the works studied in this dissertation, every version of the rape tales is part of a discourse that legitimates an occupation, an invasion, a conquest. The stable structure of the rape tale may reveal its mythic origins. It is possible that before these stories were put into writing, they were elaborated orally. The importance of these allegorical tales requires the necessity of memorization by means of oral repetition, which is possible only through a paring down of details in order to obtain a clear pattern. The images, the actions, must be formulaic in order to be recovered effectively. Characters—no matter their historicity—are simplified into types. Hence in all myths, heroes are brave and strong; princesses in distress are beautiful; tyrannical rulers, lustful. The myth studied here appears in chronicles and national/ethnic histories written by a community that saw itself as the winning character in a story of conquest—or Reconquest. It is a myth that features not one but two rape tales: the rape of Oliba (also known as Cava), daughter of Count Julian, which brought about the Moorish invasion of Spain, and the rape of Luzencia, which signaled a Christian rebirth with Pelayo’s rebellion.Item Imag[in]ing the East : visualizing the threat of Islam and the desire for the Holy Land in twelfth-century Aquitaine(2012-05) Morris, April Jehan; Holladay, Joan A.; Peers, Glenn; Mulder, Stephennie; Heng, Geralding; Patton, Pamela A.Epic dichotomies – threat/desire, Islam/Christianity, Orient/Occident, fear/lust, self/other – have fundamentally shaped the conceptualizations, images, and imaginings of the interaction between East and West. The Holy Land was the locus of both sensations in the twelfth-century West. Islam, arisen from the Arabian Peninsula and spreading steadily, embodied the strongest threat to western Christendom that it had yet faced, both militarily and theologically. The vividly imagined “East,” particularly Jerusalem, was the locus of spiritual and material desire. These intertwined notions underlie the ideological, theological, and historical perceptions of the Crusades, in their own time as today. This project seeks to explore the dual image of the East in the twelfth-century West through the prime dichotomy that has, both historically and presently, shaped Western perceptions of the dar-al-Islam: the East as at once threat and object or source of desire. Both this dichotomy and the examinations of individual sites and objects in which it is expressed nuance and challenge earlier scholarly assertions regarding visual representations of Crusading, and posit new interpretations of iconographic traditions and their semiotic functions in the twelfth-century Aquitaine. This dissertation is arranged as a series of investigative essays into monuments and objects that express the presentation and development of these divergent ideas in the twelfth-century Aquitaine. The first half of is comprised of three interrelated examinations of material objects that illuminate Western concepts of Islam and Muslims. Various iconographic traditions, I argue, were created and modified to express the mechanisms by which Christendom attempted to define, and respond to, these evident threats to self and territory. The second half of this project focuses on the material manifestations of desire, primarily through the deployment of Orientalized architectural forms and the utilization of relics and objects related to the East. Although these trends, as my conclusion discusses, reached their true apex in the decades after the loss of Jerusalem in 1187, these early examples typify the range of cultural notions centered on the desire to possess and control the sanctity of the Holy Land.Item Jews through Christian eyes: The Jewish 'Other' in thirteenth-century papal documents, artwork, and sermons(2012-05) Lackner, Jacob; Howe, John M.; D'Amico, Stefano; McCulloh, JohnThis thesis examines the Jewish Other in thirteenth-century Europe and argues that it was a proto-colonial Other. It examines a period of great upheaval within the Church and argues that the anxiety resulted in a more intense Jewish Other that had to be heavily regulated and persecuted. It analyzes these constructions through papal documents, artwork, and sermons and uses them to compare and contrast various images of the Jewish Other. The result of this reconstruction is that thirteenth-century images of Jews were malleable and ambivalent, allowing authors and artists to construct multiple images of the Jew that helped deal with a multitude of Christian anxieties.Item The long line of the Middle English alliterative revival : rhythmically coherent, metrically strict, phonologically English(2012-05) Psonak, Kevin Damien; Cable, Thomas, 1942-; Henkel, Jacqueline M.; Hinrichs, Lars; Lesser, Wayne; King, Robert D.This study contributes to the search for metrical order in the 90,000 extant long lines of the late fourteenth-century Middle English Alliterative Revival. Using the 'Gawain'-poet's 'Patience' and 'Cleanness', it refutes nineteenth- and twentieth-century scholars who mistook rhythmic liveliness for metrical disorganization and additionally corrects troubling missteps that scholars have taken over the last five years. 'Chapter One: Tame the "Gabble of Weaker Syllables"' rehearses the traditional, but mistaken view that long lines are barely patterned at all. It explains the widely-accepted methods for determining which syllables are metrically stressed and which are not: Give metrical stress to the syllables that in everyday Middle English were probably accented. 'Chapter Two: An Environment for Demotion in the B-Verse' introduces the relatively stringent metrical template of the b-verse as a foil for the different kind of meter at work in the a-verse. 'Chapter Three: Rhythmic Consistency in the Middle English Alliterative Long Line' examines the structure of the a-verse and considers the viability of verses with more than the normal two beats. An empirical investigation considers whether rhythmic consistency in the long line depends on three-beat a-verses. 'Chapter Four: Dynamic "Unmetre" and the Proscription against Three Sequential Iambs' posits an explanation for the unusual distributions of metrically unstressed syllables in the long line and finds that the 'Gawain'-poet's rhythms avoid the even alternation of beats and offbeats with uncanny precision. 'Chapter Five: Metrical Promotion, Linguistic Promotion, and False Extra-Long Dips' takes the rest of the dissertation as a foundation for explaining rhythmically puzzling a-verses. A-verses that seem to have excessively long sequences of offbeats and other a-verses that infringe on b-verse meter prove amenable to adjustment through metrical promotion. 'Conclusion: Metrical Regions in the Long Line' synthesizes the findings of the previous chapters in a survey of metrical tension in the long line. It additionally articulates the key theme of the dissertation: Contrary to traditional assumptions, Middle English alliterative long lines have variable, instead of consistent, numbers of beats and highly regulated, instead of liberally variable, arrangements of metrically unstressed syllables.Item Monstrous Silhouette: The Development of the Female Monster in British Literature(2017-07-11) Woodworth, Savannah J.; Courtney, LeeIn this thesis, I analyze the effects of social, political, and economic change and the historical effects of said change on the literary representations of female monsters as portrayed by male authors in medieval and Victorian literature. To contextualize the literature selected, each chapter involves extensive research which I argue influenced the presentation of the characters selected. Each chapter also includes extensive textual analysis to show direct examples in the text relating to the historical context, followed by a section tying the ideology of the thesis with the context provided in the historical and textual analysis sections. The purpose of this analysis is to demonstrate the repercussions of social change on the social standings of women and the manifestation of those changes within literature as a form of expression for the conflicting representations of the nature of femininity and the anxieties of the male writers in these moments of upheaval. At the beginning of this analysis, there was some expectation for a direct correlation between masculine anxieties and increases in female independence resulting in wholly negative portrayals of women, resulting on monstrous images; however, each character, despite their clearly monstrous traits, was nuanced in a way that was frequently empathetic, particularly when placed within the historical context of social change.Item Multum in parvo : the miniature hours of Edith G. Rosenwald as woman’s devotional book and amulet(2013-05) Pietrowski, Emily Diane; Holladay, Joan A.The Hours of Edith G. Rosenwald (c.1340–80) is a small book of hours in the Rosenwald Collection at the Library of Congress. Despite unique iconography and luxurious illuminations, this manuscript has so far received little scholarly attention. This thesis analyzes the size and iconography of the Rosenwald Hours to suggest that it was designed for a specific owner and function. No surviving documentation gives evidence of ownership, yet the standard program of miniatures was changed to suit a specific audience. The manuscript’s iconographic program and stylistic treatment are here considered in the context of contemporary books made for women, particularly women of the royal court in Paris, to suggest a likely audience. One of only a few extant miniature books of hours, the Rosenwald Hours is a valuable tool for looking at the place of small manuscripts in medieval society. This thesis examines the physical size, the iconography, and the inclusion of saint portraits as indicators of a function beyond the standard devotional use. A case is made for the manuscript’s connection to pilgrimage and to protective amulets. Combined with the assessment of its iconography, this study suggests an owner and intended use for miniature books of hours that provides a new way to look at these manuscripts, from obscure Flemish examples to the famous Hours of Jeanne d’Evreux.Item Neo medieval urbanism : timeless urban design strategies gleaned from lasting European cities(2015-05) Bagnasco, Angela Rose; Young, Robert F., Ph. D.; Robertson, JimNeo-medieval urbanism is the proposal to build urban villages in larger metropolitan areas by mimicking the design of medieval European cities. This development type is modeled after German and Italian medieval towns that existed as independent city states from the 11th century. This method for designing new communities is consistent with the high demand for walkable urbanism and the trend toward transit-oriented development. Neo-medieval urban design has the potential to create human and ecological value through an architecture that restores pedestrians as the principle users of the city and builds community. Neo-medieval features such as scale, aesthetics, context-sensitivity, and natural relationship come together in a comfortable place for people. Such design would achieve environmental objectives including using less fossil-fuel energy and lower aggregate resource consumption. Quality of life improvements when coupled with an inclusionary housing policy, would enable a variety of income groups to live well. Furthermore, neo-medieval urbanism could be a tool for local economic resilience. Neo-medieval neighborhoods need not break much from their lasting European counterparts and thus could be home and workplace to some 5,000-50,000 people. Site studies of Bologna, Siena, Lucca, and Venice in Italy and Bamberg, Rothenberg, Regensburg, and Freiburg in Germany grounded this project. Methods for producing Neo-medieval urban villages include discussion of design features, a process for designing a neo-medieval neighborhood, and a model neo-medieval zoning code. Additionally, the conceptual design for the Lakeline TOD in Austin, Texas serves as a visualization. This paper concludes that neo-medieval urbanism could achieve many local policy objectives and is the ideal form for transit-oriented development and urban villages within cities.Item Proximity to the divine : personal devotion at the Holy Graves in Strasbourg(2012-05) Bryant, Aleyna Michelle; Holladay, Joan A.; Smith, Jeffrey C.In this thesis I examine the Holy Grave monument located in the St. Catherine chapel of Strasbourg cathedral, erected by Bishop Berthold von Bucheck sometime between 1346 and 1348. This sculptural sarcophagus currently exists in fragmented form in the Musée de l'Oeuvre Notre-Dame; only the four relief panels of the sleeping guardians, the gisant of Christ, and some fragments of the baldachin remain of the original monument. Scholars have been able to ascertain the placement and probable appearance of the Holy Grave based on traces of three lancet bays, wall paint, and bolt holes discovered along the west wall of the chapel during twentieth-century excavations. The numerous copies that the St. Catherine Holy Grave inspired throughout Strasbourg and the surrounding area attests to the significance of the monument within the larger Holy Grave tradition. The Strasbourg Holy Grave functioned liturgically as a prop used by the clergy to reenact the drama of the resurrection during Holy Week. I argue, however, that the monument's permanence, relative accessibility, and pathos-inspiring imagery suggest its use on a more frequent basis. Through its isolation of scenes from the biblical narrative and its visualization of complex mystical metaphors, the Holy Grave at Strasbourg cathedral--and thus also the numerous copies it inspired--reveals its use as an object for personal devotion, much like the group of Rhenish Andachtsbilder that also flourished at this time. The changing beliefs concerning Christ's Passion, the nature of the Eucharist, and the understanding of death and the afterlife are reflected in the style, iconography, and didactic message of the Holy Grave monument. The influence that the mendicant orders and Rhenish mystics had on the spiritual instruction of the laity in Strasbourg points to the understanding of this monument as a tool to aid the faithful in achieving union with God. The popularity of Holy Graves in and around Strasbourg ultimately illustrates the medieval desire for proximity to the divine. As the emphasis on Christ's suffering and death grew throughout the devotional practices of the fourteenth century, art forms like the Holy Grave monument at Strasbourg cathedral increasingly focused on engendering pathos in the medieval devout. The Strasbourg Holy Grave's liturgical, devotional, and anagogical functions coalesce to create a monument that's fundamental purpose consisted of aiding the faithful in their journey toward salvation.Item The Late Medieval Agrarian Crisis and Black Death plague epidemic in medieval Denmark: a paleopathological and paleodietary perspective(2009-06-02) Yoder, Cassady J.The medieval period of Denmark (11th-16th centuries) witnessed two of the worst demographic, health, and dietary catastrophes in history: the Late Medieval Agrarian Crisis (LMAC) and the Black Death plague epidemic. Historians have argued that these events resulted in a change in subsistence from a cereal grain to a more pastorallyfocused diet, and that the population decimation resulted in improved living conditions. This dissertation bioarchaeologically examines the impact of these historically described events on the diet and health of the population from Jutland, Denmark. I examine the stable isotopic ratios of carbon and nitrogen, dental caries, cribra orbitalia, porotic hyperostosis, periosteal reactions, and femur length to examine the samples for dietary and health differences due to sex, time period, site and social status. The results suggest that there are few chronological differences in diet or health in these samples. There are greater disparities among the sites, as peasants from the rural site had a more terrestrially-based diet and poorer health than the urban sites. While there is little difference in diet by sex, there is a disparity in health between the sexes. However, the direction of difference varies by site, suggesting that the relative treatment of the sexes was not universal in Denmark. While the results indicate there is little difference in health by status, there are dietary differences, as elites had a more marinebased diet than peasants. This research indicates the importance of bioarchaeological analysis in the interpretation of historical events. The recording of history is dependent on the viewpoint of the recorder and may not accurately reflect the importance of events on the the population itself. Bioarchaeological techniques examine skeletal material from the individuals in question and may provide a better understanding of the consequences of historic events on the population, such as the effects of the LMAC and Black Death on the population of Denmark. This research reveals that, contrary to historical expectation, these events did not have a measurable impact on Danish diet or health. Thus, the use of historical documentation and bioarchaeological analyses provides a richer understanding of these historical events.Item Transitions in Medieval Mediterranean Shipbuilding: A Reconstruction of the Nave Quadra of the Michael of Rhodes Manuscript(2010-01-14) Valenti, Vincent N.The subject of shipbuilding in the Mediterranean during the Middle Ages is an integral aspect of the maritime history of this region. Characterized primarily by a fundamental shift in shipbuilding techniques, this phase also included significant developments in other seafaring practices. Yet, unlike the preceding Byzantine era, there is a very limited body of archaeological evidence available for study which can be utilized to illustrate these changes. Therefore, one must turn to alternative sources of information regarding the construction of ships in the Mediterranean, such as iconography and literary evidence. Perhaps the most informative and useful example of the latter is the group of nautically-themed treatises and manuscripts composed between the 14th and 16th centuries. The earliest of these to describe ship construction in any detail is the 1434 manuscript of Michael of Rhodes, which will serve as the main subject of study for this thesis. The primary purpose of this research is to propose a reconstruction of the nave quadra described in the manuscript, though this will be preceded by explanations of several topics pertinent to ship construction in the Mediterranean during the Middle Ages. The discussion of such fundamental issues, like the transition from shell-based to frame- based construction and the concept of recording and conveying these processes in a didactic manner, is essential in providing a basis for this study. Once this foundation has been established, it will then be possible to present the reconstruction of the nave quadra of the Michael of Rhodes manuscript. With this background information laid out, the significance of both the manuscript and the nave quadra in the broader context of medieval seafaring in the Mediterranean should be discernable. In addition to the proposed reconstruction, this task of elucidating key aspects such as the transition from one construction technique to another and the compilation of written material on this subject will be essential to providing as comprehensive a picture of medieval seafaring in the Mediterranean as possible.Item Women in circulation : tracing women and words in medieval literary economies(2014-05) McCreary, Anne MinSook; Johnson, Michael A., 1976-The dissertation centers on representations of women in the genres of romance, pastourelle and fabliau and explores how female characters are often more than the formulaic renditions of a singular masculine view would have them be. I base my argument on instances of social and verbal influence possessed by female characters in genres that represent three distinct classes of medieval society. Although this study is by no means able to offer a thoroughly exhaustive consideration of all classes and statuses that women in the Middle Ages inhabited, the noble lady of the romance, the shepherdess of the pastourelle and the bourgeois women of the fabliau present important examples of medieval women. Furthermore, this dissertation considers the social influence of literary women in light of the historical and cultural trends that would have affected real women in the Middle Ages. In considering these different portrayals of female characters, I argue for a dynamic representation of women that exceeds a passive and rigid place in medieval literature, particularly one that is centered immovably in a mindset of misogyny. The varied faces of medieval women will not be the only the fragments of misogynistic representation, but a multiple and divided self that is powerful in its resistance to the limits of categorizations of gender. When these female characters speak, they do so not from the same mouth, but from an abundance of mouths. In direct opposition to a constructed unity of representation, the feminine self is multiple and divided. In the fluid representation of women in medieval texts, even through the voices of their male authors, medieval women break through the reflective mirror to reveal glimpses of the feminine that is anything but marginal.Item Young and in love : poetic production through allegorical age in Charles D’Orléans(2016-12) Roepke, Rachel Lynne; Scala, Elizabeth, 1966-Charles d’Orléans (1394-1465) had a long and extensive history with poetry, both collecting and writing, that began in childhood and carried through his imprisonment to the end of his life. Charles’s familiarity with poetry and the allegorical mode specifically provides Charles with forms to manipulate as the questions the veracity of the genre’s strengths in revealing hidden truths. For a writer whose own youth was cut short by the early assumption of adult aristocratic responsibilities, Charles d’Orléans’s poems dwell upon the figures of the four ages and the workings of time. Dislocated from his native France and held in England as a prisoner, Charles is owned by neither critical tradition despite writing in both languages. Charles’s poetry, and even his life, can be characterized by the word ‘between’: he spoke between languages, lived between nations, and wrote between ages. Fortunes Stabilnes manipulates the allegorical genre by introducing this state of ‘between’ and allowing introspection where previously there had been none. This report argues that the poet-persona in Fortunes Stabilnes moves between the established allegorical ages to gain inspiration for his poetic endeavors.