Browsing by Subject "Latin American poetry"
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Item Cuerpos resonantes : sonidos y voces en la poesía del Caribe y el Cono Sur 1930-1980(2016-05) Staig Limidoro, James Christian; Cárcamo-Huechante, Luis E.; Arroyo, Jossianna; Borge, Jason; Robbins, JillIn the present research I approach the sonic materiality in the works of poets of the 20th Century from Chile, Argentina, Cuba, and Puerto Rico. I analize the works of Gabriela Mistral (1889–1957), Nicolás Guillén (1902–1989), Néstor Perlongher (1949–1992) and Pedro Pietri (1944–2004); all of them presenting particular approaches to the production, consumption, and representation of sound through poetry. This research works with notions of sound studies, performance, animal, sex-gender, and cultural studies, to explore the different forms in which these authors use sound as part of a poetic-politic of the spoken word. I explore also how in their uses of sound they problematize notions of cultural identity, political revolution, nation building, censorship and belonging. In the present study I propose that these four poets—Mistral, Guillén, Perlongher, and Pietri—use their sound production as a tool for a political and aesthetic exercise that materializes notions of identity, agency, and belonging. Also, I claim that each poet presents a sonic conscience, bot in the production of sound and hearing.; that is, from their behalf there is a performatic notion of their work as sound and voice. This allows them to explore topics of gender, race, politics, diasporas, and aesthetics that amplify their “resonance” no only in writing but also in the sono-sphere of language and body. Thus, I explore the recording of their voices and performances as archives in which is possible to practice a critical, material, and bodily listening. Together with that, on methodological terms, I propose mi own reading as part of a escucha profunda, in dialog with the elaborations of close listening by Charles Bernstein and an attention to the effects of “resound” (Jean-Luc Nancy) that leads the poetic phenomenon in a sense level, physical experience and perception (Don Idhe).Item No meio do caminho : figurações da pedra na moderna poesia latino-americana(2009-05) Higa, Mario Auriemma; Teixeira, Ivan; Bernucci, Leopoldo M., 1952-This dissertation investigates the representation of the image of the stone in poems by four modern Latin-American poets. To do this, I selected one key poem by Carlos Drummond de Andrade, João Cabral de Melo Neto, Pablo Neruda, and Octavio Paz. Based on pertinent principles of literary criticism and analysis, I perform close readings of each of these texts. Despite the use of the same image, the semantic results in each poem present significant variation. That is my starting point for discussions of related historical and theoretical issues such as critical reception, value, ("No meio do caminho" by Drummond), the representation of the lyrical speaker, imagery, metapoetry, ("A educação pela pedra" by João Cabral), the role of the history in poetry, the manipulation of literary sources, (Poema XVII by Pablo Neruda), the concept of "logos" and the relationship between poetry and myth ("Como las piedras del Principio" by Octavio Paz). The basic goal of this dissertation is to put into practice critical and theoretical approaches that optimize the reading of poetry.Item Transcending immanence : poetic reason and mysticality in twentieth century Christian and Jewish Latin American poetics(2016-05) Malak, Stephanie Anna; Lindstrom, Naomi, 1950-; Salgado, César Augusto; Reed, Cory; Roncador, Sonia; Newman, MarthaThis dissertation considers the notion of “mysticality” in the works of Cubans Fina García Marruz and Cintio Vitier, Brazilian Clarice Lispector, and Argentine Jacobo Fijman, (the latter two both born Jewish in Russian-controlled territory). The present research engages with mystical, gender, and poetic studies in Latin American literature; broadly, I look at the way religion is incorporated into Latin American post-modern poetics. I analyze how Latin American writers use mystical language to address high-stakes secular issues, such as political revolution, feminism, and cultural identity. I will also discuss female writers whose poetic product is an exploration of a feminine Latin American lineage. Following the work of Spanish philosopher, María Zambrano, I develop her theory of poiesis, showing how these Latin American poets conflate the Divine and the quotidian in order to “divinize” aspects of everyday life. I contend that this poetic strategy of rhetorical divinization reveals both the profane and transcendent nature of their poetics.Item Warping the word and weaving the visual : textile aesthetics in the poetry and the artwork of Jorge Eduardo Eielson and Cecilia Vicuña(2012-05) Clark, Meredith Gardner; Fierro, Enrique; Cárcamo-Huechante, Luis E.; Arroyo, Jossiana; Robbins, Jill; Hale, Charles; Root, ReginaThe present work explores the presence of Andean textile imagery in the poetry and the visual art of Jorge Eduardo Eielson and Cecilia Vicuña with the goal of illustrating how these woven aesthetics enrich the content of the written word and other artistic media by supplementing them with non-verbal, visual and tactile planes of meaning. Through the discourse of the thread, Eielson and Vicuña generate an alternative means of expression that dialogues with the conventionality of human language, the creation of cultural memory and the connection between intercultural groups. To prove this thesis, I approach the authors’ poetry and visual art based on theoretical and cultural studies regarding the materiality and the visuality of the text and other media in combination with a comparative analysis of the structural and the design properties of Andean and indigenous cloth products, namely the tejido and the khipu. In addition to close readings of poems that illustrate how the presence of the textile augments the meaning of the written text, I also illustrate how Andean weaving aesthetics provide the metaphorical springboard of comparison upon which a critical analysis of their visual art is based.