Browsing by Subject "Concertos (Violin)"
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Item Artist diploma recital (violin)(2016-09-25) Youn, Grace; Not availableSonata for violin and piano in D major, op. 9, no. 3 / Jean-Marie Leclair -- Violin sonata in A minor, op. 27, no. 2 / Eugene Ysaye -- Violin concerto no. 1 in A minor, op. 77 / Dmitri Shostakovich.Item The Chinese violin concerto "The butterfly lovers" by He Zhanhao (1933) and Chen Gang (1935) for violin and orchestra(2004-05) Jiang, Yuli; Baltzer, Rebecca A. (Rebecca Anne), 1940-; Gratovich, EugeneItem Doctoral thesis recital (violin) lecture(2016-09-29) Chang, Hye Jin (Violinist); Not availableLecture. Schumann and his last concerto -- Violin concerto in D minor, WoO.23. 1. In kräftigem, nicht zu schnellem Tempo / Robert Schumann.Item Master's thesis recital (violin)(2017-04-13) Ishikawa, Marisa; Not availableViolin sonata no. 21 in E minor, op. 1 no. 4, K. 304 / Wolfgang Amadeus Mozart -- Road movies / John Adams -- Violin concerto no. 1 in D major, op. 19 / Sergei Prokofiev -- Tzigane, rhapsodie de concert for violin and piano / Maurice Ravel. (With Chien-Lin Lu, piano)Item Walter Piston's Concerto no. 1 for violin and orchestra : thematic and motivic transformation, style, and violinistic issues(2004-05) Davis, Rachelle Marie, 1972-; Gratovich, Eugene; Buhler, James, 1964-Walter Piston’s Concerto No. 1 for Violin and Orchestra is shown to be a musically accessible and technically idiomatic work that is pedagogically beneficial as a preparation for later study of the Sibelius, Brahms, and Tchaikovsky concerti. Motivic and thematic transformations are examined, as well as a correlation drawn between Piston’s definition of counterpoint and his use of counterpoint in this work. Stylistic influences examined include those of Bach and Stravinsky, and though Piston was not a nationalist in his music style, elements of the “American” sound of the 1930s and 40s found in this concerto are discussed.Item Walter Piston's Concerto no. 1 for violin and orchestra: thematic and motivic transformation, style, and violinistic issues(2004) Davis, Rachelle Marie; Gratovich, Eugene.; Buhler, James, 1964-Walter Piston’s Concerto No. 1 for Violin and Orchestra is shown to be a musically accessible and technically idiomatic work that is pedagogically beneficial as a preparation for later study of the Sibelius, Brahms, and Tchaikovsky concerti. Motivic and thematic transformations are examined, as well as a correlation drawn between Piston’s definition of counterpoint and his use of counterpoint in this work. Stylistic influences examined include those of Bach and Stravinsky, and though Piston was not a nationalist in his music style, elements of the “American” sound of the 1930s and 40s found in this concerto are discussed.