Browsing by Subject "Affect studies"
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Item Conversation with an Apple : play development as movement-building against mass incarceration(2015-05) Goodnow, Natalie Marlena; Gutierrez, Laura G., 1968-; Alrutz, Megan; Jones, Omi Osun Joni L.This reflective practitioner research project explores if and how viewing and responding to drafts of my original solo play in development, "Conversation with an Apple," contributes to efforts to build a movement against mass incarceration, with a particular focus on dismantling the school-to-prison pipeline. I draw upon Michelle Alexander's theorization of mass incarceration in the United States, social movement theory elaborated and archived by contemporary activists, and theories in performance and affect studies to contextualize my investigation. I describe how I utilized Liz Lerman's Critical Response Process to elicit audience responses to staged readings of "Conversation with an Apple," and also how I employed modified grounded theory techniques to analyze those responses. I then explain how insights gained through these methodologies informed revisions of the "Conversation with an Apple" script and my plans for future post-show workshops. I conclude with an evaluation of the usefulness of these play development and research methodologies in my artistic practice. I find that both Liz Lerman's Critical Response Process and the modified grounded theory analysis I utilized, along with a return to my guiding theoretical frameworks, contributed meaningfully to my reflective practice, yielding several key insights. First, I discovered that the play does seem to have the potential to raise consciousness among audience members regarding multiple manifestations of mass incarceration as it affects young people, although I decided that a few key mechanisms of mass incarceration might be more fully elaborated through script revisions. Second, I found that when audiences responded to the play, the shared experience of viewing the performance functioned as a springboard for conversation about other shared experiences in their lives, thus building a sense of community in at least a small way. I also theorize that the act of transmitting heightened affect together while viewing this play built community. Finally, my analyses revealed that although some audience members felt outraged at the realities of mass incarceration and inspired to make a change, many felt hopeless after viewing the play. These analyses informed my most significant revisions to the "Conversation with an Apple" script and plans for post-show workshops.Item Radical self-care : performance, activism, and queer people of color(2014-05) McMaster, James Matthew; Gutierrez, Laura G., 1968-Queer people of color in the United States are perpetually under siege politically, psychically, economically, physically, and affectively in the twenty-first century under capitalist white supremacist heteropatriarchy. Radical Self-Care, connects radical artivist performance in Austin, Texas with the theoretical genealogies of queer of color critique, women of color feminism, queer studies, and performance studies in order to propose a program for queer of color survival, sustainment and political revolt. Radical self-care is the holistic praxis that names the confluence of two distinct but inextricable processes developed in the first two chapters of this thesis. In chapter one, I take up the Generic Ensemble Company’s workshop production of What’s Goin’ On? as a case study in order to theorize the ‘performative of sustenance,’ a mechanism of queer worldmaking and queer world sustainment defined by its erotic and utopian affects. Chapter two, through a discussion of reproductive rights activism at the Texas state capitol, reformulates the concept of ‘parrhesia,’ the Socratic practice of ‘free speech’ taken up by Foucault in discussions of the care of the self, into a performance praxis of speaking truth to power with the potential to interrupt hegemonic systems of oppression. The final chapter explicates the ways in which these two mechanisms converge and operate as a dyad in the holistic process of radical self-care through an analysis of Fat: The Play, a devised work that premiered in Austin by and about fat queer femmes. Ultimately, Radical Self- Care aspires to offer queers of color a methodology of queer world sustainment that is also a program of political intervention, grounded in solidarity politics, into those systems of oppression that too often characterize queer of color existence as a project of survival rather than a project of flourishing.Item Uncanny affects : professionalism and the gothic sensibility(2013-05) Herbly, Hala; Cvetkovich, Ann, 1957-; Baker, Samuel, 1968-"Uncanny Affects" argues, broadly, that the gothic novel of the eighteenth and nineteenth centuries models a critical ethics of reading. By examining recurrent scenes of reading and interpretation in key gothic novels such as Ann Radcliffe's The Italian (1797), Walter Scott's The Antiquary (1816), and Wilkie Collins' The Moonstone (1868), I surmise that this critical ethics posits affect, or the experience of generalized emotion, as central to the act of interpretation. I contend that this gothic critical ethics influences the concurrent development of the discipline of literary criticism. By reading these key gothic novels and then tracking their broader influence on Victorian critics such as John Ruskin and Oscar Wilde, I make a case for the significance of a gothic epistemology to the development of literary criticism in British and American universities from the nineteenth century onward. A focus on the gothic novel's critically inclined characters, including antiquarians and detectives, enables me to read gothic novels and other gothically-inflected writing for what they can tell us about the practice of interpretation, particularly as that practice becomes institutionalized and professionalized. Thus I track the gothic mode's tendency toward affective reading in relation to ideas of professionalization, which values critical detachment or disinterestedness in interpretation. As a result, interpretation in the gothic mode can seem too emotional or "creative" for a typically professional practice. Reading the gothic as such links it to modern discussions about interpretive practices such as close reading, paranoid and reparative reading, and surface reading. Perhaps more importantly, reading the gothic alongside these new discussions on critical ethics allows us to think through the place of affect and pleasure in an ethical critical practice. Ultimately, examining how gothic texts formulate a gothic mode or philosophy of reading demonstrates the real ubiquity this mode has achieved in the critical setting, a ubiquity that continues to shape and influence our conceptions of scholarly and critical reading even today.