Staiger, Janet2011-07-122017-05-112011-07-122017-05-112011-05May 2011http://hdl.handle.net/2152/ETD-UT-2011-05-3304textThis thesis is an analysis of director Michael Haneke’s theatrically-released films. Using a neoformalist approach, it is a dissection of how the director uniquely employs violence and child and youth characters in his films to critique society while looking for potential signs of hope. I argue that Haneke is a successor to those filmmakers who have taken violence to a new extreme in the cinema. However, Haneke has created a signature form of depicting violence in his films. I also argue that although Haneke typically places child characters in peril, a narrative facet that perhaps turns away some viewers, their placement in such scenarios serves to reflect his consistent view of a crumbling, insensitive society. Despite these representations of violence and children in peril, Haneke still finds places to infuse glimmers of hope in his narratives.application/pdfengHaneke, Michael, 1942-FilmsMotion picturesViolenceChildrenthesis2011-07-122152/ETD-UT-2011-05-3304