The function of form: meaning in the work of Carlo Scarpa

dc.creatorSalazar, Dunia V.
dc.date.accessioned2016-11-14T23:13:45Z
dc.date.available2011-02-18T19:39:40Z
dc.date.available2016-11-14T23:13:45Z
dc.date.issued1997-12
dc.degree.departmentArchitectureen_US
dc.description.abstractArchitecture does not exist without functional and aesthetic conditions being resolved. While this is easy to state, an examination of the works of any practicing architect will reveal the effort necessary to incorporate the various layers of meaning with the range of functional needs of buildings. This thesis will examine the work of Carlo Scarpa, and in particular the display of two statues, two Madonnas, at the Castelvecchio Museum in Verona. The researcher sets out to find evidence to support her belief that Scarpa's work contents meaning that is revealed through even the smallest of his designs.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/2346/11546en_US
dc.language.isoeng
dc.publisherTexas Tech Universityen_US
dc.rights.availabilityUnrestricted.
dc.subjectMuseo di Castelvecchio (Verona, Italy)en_US
dc.subjectStatues -- Italy -- Verona -- Exhibitionsen_US
dc.subjectArt museum architecture -- Italy -- Verona -- Designs and plansen_US
dc.subjectScarpa, Carlo, 1906-1978en_US
dc.subjectScarpa, Carlo, 1906-1978 -- Criticism and interpretation
dc.subjectStatues -- Exhibition techniques
dc.titleThe function of form: meaning in the work of Carlo Scarpa
dc.typeThesis

Files