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dc.contributor.advisorGrantham, Donalden
dc.identifier.oclc56123280en
dc.creatorHwang, Dong-Oken
dc.date.accessioned2008-08-28T21:30:34Zen
dc.date.available2008-08-28T21:30:34Zen
dc.date.issued2003en
dc.identifierb56832503en
dc.identifier.urihttp://hdl.handle.net/2152/660en
dc.descriptiontexten
dc.description.abstractMORIAH is a work for full orchestra inspired by Mount Moriah in Jerusalem. The general program for the work is based on events told in the Bible. Four themes, representing Abraham, Isaac, God and Jesus, are the main sources of musical material in the work. These four themes are related so as to represent the Father-Son relationship, both spiritual and physical, found between God-Jesus, God-Abraham, God-Isaac, and Abraham-Isaac. In the music, these relationships are also reflected through a constant process of juxtaposing and interweaving of musical material. The analysis portion of the dissertation will focus on the themes, and their interrelationship, with respect to pitch and rhythmic materials, formal, textural and orchestrational relationships.
dc.format.mediumelectronicen
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subject.lcshTemple Mount (Jerusalem)--Songs and musicen
dc.subject.lcshOrchestral music--Scoresen
dc.titleMoriah: for orchestraen
dc.description.departmentMusicen
dc.type.genreThesisen
dc.identifier.proqst3110724en


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