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dc.contributor.advisorBremen, Brian A.
dc.creatorWallace, Laura Knowlesen
dc.date.accessioned2013-12-19T17:52:18Zen
dc.date.accessioned2017-05-11T22:40:48Z
dc.date.available2017-05-11T22:40:48Z
dc.date.issued2012-05en
dc.date.submittedMay 2012en
dc.identifier.urihttp://hdl.handle.net/2152/22786en
dc.descriptiontexten
dc.description.abstractIn this report, I examine the reception of Djuna Barnes’s novel Nightwood (1936) from contemporary reviews in periodicals to twenty-first century online reviews. I am interested in how the novel has been situated in both historical and personal canons. I focus on how Nightwood has been read through the lenses of experimental modernism, lesbian feminism and postmodern queer theory, and how my own readings of it have changed over the years.en
dc.format.mimetypeapplication/pdfen
dc.language.isoen_USen
dc.subjectDjuna Barnesen
dc.subjectNightwooden
dc.subjectReception studiesen
dc.subjectReception historyen
dc.subjectModernismen
dc.subjectLesbian studiesen
dc.subjectQueer studiesen
dc.titleMy history, finally invented : Djuna Barnes’s Nightwood and its readersen
dc.description.departmentEnglishen
dc.date.updated2013-12-19T17:52:19Zen


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