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dc.contributorHannah, James
dc.creatorFrancis, James
dc.date.accessioned2005-08-29T14:41:27Z
dc.date.accessioned2017-04-07T19:50:18Z
dc.date.available2005-08-29T14:41:27Z
dc.date.available2017-04-07T19:50:18Z
dc.date.created2006-05
dc.date.issued2005-08-29
dc.identifier.urihttp://hdl.handle.net/1969.1/2427
dc.description.abstractThe research and material contained in this thesis will examine short story theory from current perspectives in the field and provide a response to questions posed about the composition of short fiction. A critical introduction will take into account these theories and lead into a collection of five short stories written from a filmmaking perspective. The collection of work provided represents an attempt to break stereotype in the construction and formatting of what is considered standard short story material. Focus for the collection concerns sensory perception, elements of film (flashback sequencing and extended exposition) and gender/race identity. Through the critical introduction and short story collection, the completed thesis will prove that the study and practice of creative writing cannot be regulated by a set of technical guidelines.
dc.language.isoen_US
dc.publisherTexas A&M University
dc.subjectFilm
dc.subjectFiction
dc.subjectWriting
dc.subjectStory
dc.subjectShort
dc.subjectCreative
dc.titleShort fiction creative writing: storytelling with a film perspective
dc.typeBook
dc.typeThesis


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